My work is made of assemblages of small objects mounted in imitation of museum displays. Materials and shapes are repeated for emphasis. These include replica stone tools, natural forms, and readymades. I began making replica stone tools after being exposed to prehistoric artifacts on the Eastern Shore of Maryland. I was also particularly impacted by my experience with the artworks of the Hopewell culture in Ohio. Making stone tools is an intrinsically rewarding process and a way to connect to deep time. Juxtaposing these objects with readymades from different time periods is a way to generate new meanings related to the foundations of human cognition and American history. Difficult questions related to whiteness, colonialism, and appropriation can emerge. The central idea of the work are the contrasts generated by the juxtaposition of stone age and industrial technology with older natural forms. I produce the replica stone tools by hand drawing on techniques from the field of experimental archaeology as well as informal maker communities on the internet. I mainly source material for these tools from sellers on Facebook. Readymades come from thrift stores and eBay. The work is inspired by Cady Noland and the mid-career work of Carol Bove.